Friday, June 09
Show @ 9:30 PM MDT
Price: $15.00 – $150.00
Ages: Minors Under 21 with Parent or Legal Guardian
Is it premature to see Hall of Fame material in a guy who’s just releasing his first album? Not if that guy is Tony Jackson. To put it plainly, Jackson is one of the most gifted singers ever to grace country music. His video â€œThe Grand Tourâ€ ignited an unprecedented 10 million Facebook views and 200,000 shares in just over 3 short weeks! The respect Jackson has already earned within the music community is evident throughout Tony Jackson, as the new album is titled. It features songs and/or performances by Rock and Roll Hall of Fame members John Sebastian, Steve Cropper and Dr. John â€œMacâ€ Rebennack, Country Music Hall of Famers Vince Gill, Bill Anderson and Conway Twitty and Nashville Songwriters Hall of Fame luminary Norro Wilson. But it is ease with which Jackson makes every songâ€”even the familiar onesâ€”distinctly his own that sets him apart. Who else would dare to try and then succeed in bringing a fresh layer of emotional urgency to such a classic as George Jones’ â€œThe Grand Tourâ€ or Conway Twitty’s eternal â€œIt’s Only Make Believeâ€? On the first-time and lesser known songs, Jackson mints his own classics. With its sweeping steel guitar flourishes and ambient barroom clatter, he transforms John Sebastian and Phil Galdston’s â€œLast Callâ€ into the sweetest, most affectionate separation ballad imaginable. With reverence and a twinkle in his eye, he enlists Sebastian and Vince Gill in revivifying (after 50 years) the Lovin’ Spoonful’s 1966 romp, â€œNashville Cats.â€ â€œWhen asked if we should recut the song,â€ Sebastian begins, â€œI said absolutely but we have to get Vince Gill, Paul Franklin and todayâ€™s real Nashville Cats in on the session and fortunately it was preserved on video,â€ he beams. After capturing perfectly, the excitement of new love in Bill Anderson’s â€œI Didn’t Wake Up This Morning,â€ he moves on to a memory-stirring homage to Merle Haggard, Hank Williams Jr. and Willie Nelson in â€œThey Lived It Up,â€ a lyrical scrapbook from Anderson and Bobby Tomberlin. Jackson shines as a keen-eyed songwriter in his own right with such memorable excursions as â€œDrink By Drink,â€ â€œOld Porch Swingâ€ and â€œShe’s Taking Me Home.â€ From start to finish, Tony Jackson stands out as a â€œdiscoveryâ€ album, the kind you listen to with such delight that you have to recommend it to friends. And hundreds of thousands have done just that. Jackson is currently a headliner on the Old Dominion Barn Dance in Richmond, Virginia, and is almost certainly the only major bank executive ever to abandon a prominent IT job in finance at a Fortune 500 company to embark on a career in country music. But he didn’t grow up a country fan. The son of a Navy man, he led a base-to-base existence, at one point living with his family in Rota, Spain for three years. His early musical background was sketchy at best. â€œI sang ‘White Christmas’ in the Christmas play in the sixth grade,â€ he recalls. ‘Everybody seemed to love it, but I was a wreck. My mother forced me to sing in the church choir, but I was kind of buried in the voices along with everybody else.â€ This was basically his entire musical resume until ten or so years ago when a friend whose band had lost its lead singer asked Jackson to try out for the spot. â€œI did,â€ he says, â€œand I was hooked after that.â€ Two weeks after graduating from high school, Jackson joined the Marines. â€œI told my dad I was joining because I was sick of taking orders,â€ he says with a wry grin. There was as much getting-ahead as gung-ho in Jacksonâ€™s enlistment. â€œI was a computer and electronics geek as a teenager,â€ he says. â€œWhen I talked to the recruiter, he told me the Marine Corps had just started a computer science school in Quantico, Virginia. Fortunately, I scored high enough on the entrance exam to go to that school.â€ It was a smart move. When he finished service, a prominent bank in Richmond snapped him up to work in its Information Technology division, initially assigning him the lowly chore of re-setting passwords. â€œI was way overqualified,â€ he says, â€œso I got promoted fast. I was a senior vice president by my early 30s.â€ It was while in the Marines that he first started paying serious attention to country music. â€œMy mother listened only to gospel,â€ he says. â€œMy dad was into jazz, hip hop, R&B, new jack swingâ€”stuff like that. But Armed Forces Radio played everything. When I was living in Spainâ€”when I was 10 to 13â€”Randy Travis came over there on a USO tour. Some friends and I were out there early when they were setting up the stage, and we actually got to talk to him before we realized he was the guy whoâ€™d be performing later. He was really cool to us. In the Marine Corps, when my friends and I played music for each other, we were all homesick. So when youâ€™d listen to these country songs that talked about family and home and heartbreak, it would really grab you.â€ A song that particularly appealed to Jackson was George Jonesâ€™ heartbreaking 1974 hit, â€œThe Grand Tour.â€ When Jones died, Jackson and some friends went into a Richmond studio and recorded it. In the process, they also made a performance video that eventually wound up on YouTube. By sheer accident, singer Donna Dean Stevens saw the video and instantly decided Jackson should do â€œThe Grand Tourâ€ on the Old Dominion Barn Dance, which she had just resurrected. After she witnessed Jacksonâ€™s standing ovationâ€”an honor that hadnâ€™t yet been accorded to any of the showâ€™s headlinersâ€”she offered to co-manage and co-produce him with noted talent manager Jim Della Croce. A commanding performer in her own right, Dean Stevens recorded for Mercury Records in Nashville as Donna Meade. She is also the widow of Country Music Hall of Fame member Jimmy Dean and a zealous guardian of his vast musical legacy. Dean Stevens and Della Croce then whisked Jackson to Nashville, where he recorded most of Tony Jackson at the hallowed RCA Records Studios. In one of his best-loved songs, George Jones considered the dwindling ranks of country superstars and asked plaintively â€œWho’s Gonna Fill Their Shoes.â€ Tony Jackson volunteering for duty.